Nicole Royse Answers the YabYum Seven


1. Who are you and what do you do?

I am an artist, the Associate Curator at the monOrchid in downtown Phoenix, a freelance arts writer, a wife, and a proud mother of three.

2. How did you get your start?

I have been an artist since I was very young, and began pursuing my work full time about six years ago, extensively exhibiting my work in both Arizona and California. I had always enjoyed art and researching which lead me to pursue Art History. I graduated with a Bachelors of Arts Degree in Art History from ASU in 2006. I joined the monOrchid in January 2013 and I am the Associate Curator. I am a freelance arts writer for Localrevibe Magazine, Arcadia News, and I have an arts column in East Valley Magazine.

Layers




3. What inspires you?

I am inspired by my beautiful family, friends, and Arizona

4. What do you like about AZ?

I love our growing arts community in phoenix and the direction our state is growing.

5. Where can we see you(r) work?

You can currently view a few pieces of my art at the awesome yoga studio Sutra Midtown Yoga or my website. You can stop by the monOrchid on First & Third Fridays and see the amazing local artwork I help curate. Make sure to say hello! Also check out my articles in Localrevibe, Arcadia News, my column in East Valley Magazine, and my blog.

Alteration


6. What would you like to accomplish before you die?

Would like to travel extensively with my family, write a book about Contemporary Arizona Female Artists, and show my art in the National Museum of Women In The Arts!

7. What is your mantra?

Get out and support your local arts! The arts are a beautiful and powerful thing so don’t to waste them!!

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Canyon Records: Contemporary Modes, Preserving Tradition

Would you have guessed that Arizona contains one of the oldest, independent record labels in existence? At 62 years, Canyon Records continues to distribute and promote all kinds of Native American music. From traditional to contemporary, pow-wow music to healing songs, Canyon Records has it all!

Ray Boley with Ed Lee Natay

An incredible story lays behind Canyon Records origin. In 1948 Ray and Mary Boley opened the first recording studio in Phoenix: Arizona Recording Productions. According to their press release, “Ray was asked by the Phoenix Little Theater to record a Navajo singer named Ed Lee Natay…Boley was so taken with Natay’s singing that he recorded a collection of songs titled Natay, Navajo Singer.” Canyon Records formed in 1951, and began selling copies of Natay’s album at that year’s Arizona State Fair!

So that’s how it all started. What propelled Canyon Records to international recognition however was a Native American flutist by the name of  R. Carlos Nakai. Ray contacted Nakai in 1984 asking him to distribute his latest album Changes. By placing it in New Age stores, retail shops and art galleries, Canyon Records and R. Carlos Nakai would help usher in a whole new era of Native American music in the ’90s.

R. Carlos Nakai.
Photo by John Running.

In 1991 Mary Boley passed away and one year later Ray sold Canyon Records to Robert Doyle, an employee of Canyon for over 10 years, who began working with Nakai in bringing the sounds of Native American flute to a wider, “Non-Native” audience. Nakai earned Canyon the only two Gold Records in Native American Music, for Earth Spirit and Canyon Trilogy, with the latter close to achieving Platinum status.

Fast forward to the present and “30 Grammy nominations, one Grammy Award, two Governor’s Artist of the Year Awards and 33 Native American Music Awards” later and you can begin to understand how the over 400 releases, which collect songs from tribes across the U.S. and even Canada, have impacted an often marginalized history and culture.

There’s very contemporary music on Canyon Records as well. Their latest release, which came out October 1st, is Gypsy Bells by Brianna Lea Pruett. With ghostly folk sound, this is Brianna’s first album on vinyl (she has 4 previous) and Canyon’s first release on vinyl in 30 years! With delicate guitar work, beautiful harmonies, and a variety of accompanying instruments, I highly recommend delving into Brianna Lea Pruett’s work and Gypsy Bells here.

And that, my friends, is history! May Canyon Records continue to prosper into the future by recording and releasing albums of all Native peoples.

Check out Canyon Records website here.

With more history, including some great videos, check out the Arizona Experience page on Canyon Records as well.

by Mark Anderson
Editorial Staff

Top 5 Shows of the Week!!

This week we have new albums, new venues, and new adventures to be had for you adventurous types. The rest of you can keep watching TV until your eyes bleed. For even MORE events around AZ, check out our Upcoming Shows page. 
The Senators have assembled quite the cast to help celebrate the release of their album. Some of the Valley’s best and brightest will be sharing the stage at the Sail Inn so head on down this Friday (also known as tonight). 
Don’t miss the grand opening of Axiom this Saturday. The latest venue to open on the Westside has arranged for a stellar line-up to kick things off. 

Sunday at Tempe Tavern will get you feeling extra lively before facing the weekday trudge. Join Bob Domestic for Domestic Sundays along with Kalen Lander, Slogan, and more. 

Axiom is two for two this week making our Top List twice in its first two operational nights. Sunday, The Lions Club will be joined by Avalon Landing, Old Hours, and April Bird. It will be an indiefolk spectacularama.

Have a mid-week musical adventure at Last Exit Live with some acts we already know are awesome (like Lee Perreira and Fairy bones) and others we’ve been aching to see (Sol’Ride). Danger and intrigue await.

Five Projects Worth Funding

The music industry is changing and it is more important than ever to throw your support behind projects you want to see get off the ground. Here are five Arizona projects looking for that extra push needed to actualize their vision. Kick up what you can and earn some cool rewards for your contributions at the same time!
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Help make Dia de los Muertos PHX Festival happen!

The grassroots Dia de los Muertos PHX Festival is ready for Year Two but the Cultural Coalition responsible for organizing the event needs community support for their project. Unless you want every cultural expression found in our fair state brought to you by Pepsi Co., I suggest helping these events happen. Some rare and interesting offerings await contributors. Read more here.

Help Greenwood Sidee launch their debut CD Ghost Train

Greenwood Sidee has been playing around Arizona for quite some time and now they’re ready to lay their songs down an official album. The band needs some help getting into the studio and getting their record made. That’s where we come in. You’ll get something in return, like your own copy of Ghost Train or a homemade dinner with the band or even a concert in your own home. Head here to contribute.

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Get Dead Ringer into Print!

Dead Ringer is a full-length graphic novel from writer Brian Augustyn and John Derrick West set during one of Chicago’s worst winter storms. Brian has written for just about every major comic book publisher and now he’s ready to embrace the freedom avaiable to the self-publisher without sacrificing the boons of professional publishing. Backers can score signed copies of the printed graphic novel, original artwork from Derrick West, or even a “background role” in the novel itself. More here.

Contribute to Season Two of The Sting Chronicles!

The Arizona-based webseries by Phoenix filmmakers is set for its second season. The entire first season is available for streaming online here. The Sting Chronicles is a comic book satire centered around a young man who believes a scorpion sting has given him super powers. Learn more and contribute here.

Kick up for a Murrieta record – A Head & Hand!

Folk rockers from Mesa, Murrieta, have been working hard to get their album recorded and it’s just about ready to be unleashed on the public… almost. They need a little extra kiggity to get their big plans underway. Backers can receive a hi-five from the band, an early track from the album, even a personalized acoustic video performance or pizza party with the band. Learn more and contribute here.

Axiom Offers All-Ages on the Westside

I remember my underage days spent lurking outside of venues trying to hear bands, hostile to the fact that a lot of smaller music clubs didn’t offer all-ages access. Thank Jebus, all that’s over for me and everyone else on staff.

There are a few spots around the Valley that offer the younger crowd of music lovers a chance to get out there and see some live acts. The Trunk Space is a downtown favorite for all-ages shows while the Parliament is offering Tempe a glimmer of hope. Now, a new all-ages spot is opening on the Westside so all folks in Peoria and Glendale don’t have to drive across New Hampshire to see a live show.

And it looks like Axiom is going to be offering some stellar shows. To kick things off, Saddles, The Cold Desert, Ryne Norman, and Bentley will all be performing at the Grand Opening on October 12th. The following night The Lions Club, Old Hours, and April Bird will be joined by Nevada’s Avalon Landing.

That’s a hell of a first weekend. My only problem is that I’m in for a bit of drive from Tempe but it’s only fair given how many shows happen in my neck of the woods. Fair is fair.

The westside of town deserves their own rad all-ages venue where local acts rule the stage. Looks like Axiom is here to help. More on Axiom, including location, here.

Rubber Brother Dropping Tapes Like Skittles

It’s hard to keep up. We’re short-staffed and Rubber Brother Records keeps making shit happen so fast we’re starting to slip behind. Following their music festival that spanned two weekends and two cities, they had another release show just this past weekend at Cartel in Tempe. Let’s just all take a breath and we’ll try to move through this together…

For those of you not already in the know, Rubber Brother Records is the newest project from young upstart Robbie Pfeffer. The label is set on bringing back the tape trade and getting Arizona’s best (and weirdest) bands ready for action at home and beyond. We here at YabYum have rekindled our cassette love and already have acquired quite the stash thanks to RBR’s onslaught of releases over the past few weeks.

Let’s start with some of my favorites from the Rubber Brother Catalogue.

Petty Things was probably my unexpected favorite from the bunch. Their release Chasing the Sun has enjoyed considerable airtime since it came into our possession. Angsty rocknroll that still manages to embody a reckless fun hued with innocence rather than debauchery. I was super excited to score the Petty Things / Numb Bats split release (NUMBTHINGS) this past weekend and catch the acts live. Numb Bats secured their place amongst my favs early so I was extra stoked (do people still say “stoked”?) to hear the group signed on to Robbie’s brood of misfit rockers because it might mean more shows and more tapes for fans like myself.

TK & the IrresistblesOh Yeah!, The Thin BloodsTwin Tumors Vol. 1, Naked Pizza’s This is Not an Albumand the Echo Bombs’ Alive in Vegas are proving some of my favorites of the tapes released during Rubber Brother Fest but I’m still trying to absorb all the new music procured during the label’s still short lifespan.

I haven’t yet even gotten tired of the releases procured earlier this summer when RBR kicked things off. Wolvves’ Live Forever, Playboy Manbaby’s Obsessive Repulsive, and Diners’ Throw Me a Ten set the soundtrack for my summer, and what a lively summer it was as a result.

For a complete list of the Rubber Brother releases available for streaming, I suggest heading here for Rubber Brother Records’ Bandcamp page. Also, check out their online store here where you can stock up on all the tapes you haven’t yet purchased… or, at least, those that haven’t already sold out.

We’ll continue our quest to keep you apprised of Rubber Brother Records and their lively menagerie of musical merry makers.

Three Albums to Check Out


Celebration Guns

Quitter

Quitter is the new EP from Celebration Guns, the band featuring former member of Wizards of Time, Neba and Tiger Heist. The 5 demo tracks written over the past couple years prove that these guys have been pretty busy. “Hold still” is a noisy, guitar-driven tune that is just darn fun. The guitar hook, something that these cats are known for, is front and center. Justin Weir, vocalist/guitarist, introduces himself through a distorted vocal filter that he uses throughout the EP. It’s dirty and gritty and is a great counterpoint to the clean riffs and open drums. It’s on “Go to sleep” where you hear every one of these musicians come together to create a sound that is unique to them. The quirky lead guitar riff is, well, quirky at the onset of the tune, but once the band gets into the main part of the song it fits very nicely. “Ride home” and “The wait is over” follow suit: Interesting leads, distorted vocals and what I thought were really terrific melodies. Drummer Timothy O’Brien  bassist Ryan Miller, and guitarist Chris Blanco, along with Weir, have carved out a rad EP everyone should check out.

Chandails

EP

The quartet of Jorge Garcia (guitars/vocals), Paul Arambula (guitar/vocals), Julio Flores (bass), and Noe Garcia (drums) offer up some post-punk on this EPThis is serious post-punk, almost too serious. The Joy Division influence here is in full effect. Now, I’m a sucker for post-punk and I’ve admitted that here before. And while Chandails have that sound down cold, I think they could have put of bit more of themselves into this record and take a crack at reinventing that sound and making it their own. Don’t get me wrong, the four tracks (“Diagonal Senses” being my favorite) are solid, the musicianship is there, and the vocals are great. Listen for yourself here

Dirt Moon

The Cover Story

There are only three tracks here to listen to but they are worth it. Dirt Moon’s introspective EP was penned by singer/songwriter Aaron Church, who for the past few years has experienced the death of his father and a failed relationship. Yikes. Church, along with Alex Adamcik, and Bryan Dague have a nice trio of tunes that really have tremendous merit. The songs are fueled by furious strumming – folk that’s on a bit too much caffeine – and it really works. After all, the songs are so emotional that anything slower it would be a bummer to listen to. “The Cover Story”, basically the foundation for the EP and the last song written as far I understand, is the sound and style that I think Church had in his head. And if he follows that road – I’m right there with him.

by Frank Ippolito
Staff Writer

RAW: A New Approach at Tempe Public Library

The Tempe Public library has two public art galleries within it located in the Youth Library and Café Connections. Currently on exhibit in the Youth Library is a wonderful exhibition entitled “Raw” which focuses on three local artists: Joe Willie Smith, Monica Aissa Martinez, and Aimee Leon.

“Raw is an exhibition reflecting organic choices and how they impact artwork”. The three artists use raw, recycled, and or organic materials in response to the growing health and environment concerns of traditional art materials. The gallery may be small but the exhibition catches the patrons’ eye as soon as they enter the Youth Library. This is a great combination of contemporary artwork on display showcasing a variety of mediums, techniques, and styles.


I was immediately struck by the massive metal wall hangings by Joe Willie Smith, which appeared to be crushed metal. Mr. Smith is a local multi-media artist who currently teaches at Phoenix College. His work mainly focuses on creating “Sonic Sculptures”, re-purposed materials to make instruments, but he also looks to exploring this crushed metal to help him better understand that “a set of physical restraints that exist within a shape that determine how energy is directed within a form’.

As the viewer takes a closer look, they discover Joe Willie Smith artwork goes beyond the visible. The work in this current exhibition is a part of a series titled “crushed” which focuses on reusing found and repurposed metals that have been crushed then he alters the metal by scratching and drawing on them to create the final artwork. This is seen in the pieces: “Untitled” crushed steel with “Untitled” green patina, “Untitled” crushed steel with white patina, and “Untitled“ crushed steel with blue text. These works are strikingly beautiful in part due to their massive scale, the folds of the metal, as well as the striking color variations from piece to piece.

Next to this work we see the delicate and intricate paintings and drawing by Monica Aissa Martinez. The human body and how it works, technology and how it affects us as a society as well as the individual spirit. These are reoccurring subjects in her current series of work. An excellent example of this is can be seen in her painting “Vital Commotion”. The artwork depicts various organs found in the human body, how they are connect, work, and/or disconnect. The color palette is muted except for the central image of the heart. While the forms appear to be slightly abstracted with the internal organs seeming to be effortlessly floating, almost organic, on the canvas. Monica Aissa Martinez uses casein and egg tempera rather than traditional harsh chemicals found in oils and acrylics. She uses the casein as underpainting and the egg tempera as the surface color. Materials and process that should be used more often but it is much more time consuming and difficult.

These works are juxtaposed by the interesting organic fiber artworks created by Aimee Leon. At first glance the viewer simply see fiber in a case, but with further examination one will notice the beauty, elegance and simplicity she has created with these small tactile vessel-like forms. Amazing to comprehend that Ms. Leon has been able to create these works of art locally, without a “footprint”, from shearing to spinning and lastly to creating her work like with “Once upon a place far away”. Her work is displayed in a central glass case with one additional piece hung from the ceiling: a light wrapped in fiber titled “Contradiction” displayed next to Martinez’s small scale drawing. As an artist, Aimee Leon’s work has led her to also become a certified sheep shearer; she uses local wool and other repurposed fiber. Ms. Leon said, “I explore alternative commodity structures through performance and the creation of functional objects imparting historic techniques and materials.” Ms. Leon “learned to shear sheep to collect wool for object making, with a secondary purpose of supporting local farms and avoiding the footprint created via import systems” her artwork is simplistic, natural, and beautiful, the viewer just wants to touch them.

RAW offers an eclectic exhibition for all ages, demonstrating a variety of artwork. It is a great way to introduce children and adults to stunning, local, contemporary art as well as a few noted local artists and a “green” way of creating artwork. This exhibition will be on view until December 4th.

Additional Links:
by Nicole Royse
Contributing Writer

Top 5 Shows of the Week!!

Usually we’re so jam packed with weekend shows, we barely offer a nod to the weeknight haps. Not this week. This week great live shows just keep happening… Check out our Upcoming Shows page for even more rad events around town!

Anamieke celebrates her birthday on Friday at the Rogue with Dirty Lingo, Field Tripp, and The Deer Leader along with her band Treasurefruit. Get out to First Friday early and then head on down for a rocknroll show.
Rest up after First Friday and head out to Mikel and Meridith’s Big Ass Wedding Show at the Sail Inn with Dry River Yacht Club, Banana Gun, Future Loves Past, and, of course, the Sugar Thieves on Saturday night! 
Sunday, say goodbye to Sun Ghost as the hometown favorites play their last Phoenix set of Sun Ghost songs (more here) at the Crescent Ballroom. Joining them will be Genre and the Shivereens.
Two awesome Crescent Shows in a row. They serve food, right? Maybe you could just stick around after Sun Ghost until the Monday night show kicks off? Maybe. Tres Lunas, Where Are All the Buffalo?, Owl & Penny, and Good Friends Great Enemies make for a stellar line-up. There or square.
Another fabu night at the Trunk Space is in store for you cats on Thursday. Couches will be joined by a phenomenal local line-up featuring several acts from the Rubber Brother Records crew.